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・ The Future of Things
・ The Future of Us
・ The Future of War
・ The Future of What
・ The Future Project
・ The Future Sound of London
・ The Future Sound of London discography
・ The Future Sound of Nostalgia
・ The Future That Was
・ The Future University (Sudan)
・ The Future Vision of the Palestinian Arabs in Israel
・ The Future Will Come
・ The Future World Tour
・ The Future's Right Now
・ The Future's So Bright, I Gotta Wear Shades
The Future's Void
・ The Future's What It Used to Be
・ The Futureheads
・ The Futureheads (album)
・ The Futureheads discography
・ The Futureless
・ The Futures Academy
・ The Futurist
・ The Futurist (Robert Downey Jr. album)
・ The Futurist (Shellac album)
・ The Futurist Cinema, Liverpool
・ The Futuristic Sounds of Sun Ra
・ The Futuristics
・ The Futuristiks
・ The Futurological Congress


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The Future's Void : ウィキペディア英語版
The Future's Void

''The Future's Void'' is the third studio album by American singer-songwriter and guitarist Erika M. Anderson (also known as EMA), former lead singer of the noise-folk band Gowns, released in the United States in 2014 under Matador Records. The album was included in best-of-the-year year-end lists including those by ''Rolling Stone'' and ''The Daily Dot''.
==Critical reception==
In his best-albums-of-the-year write-up for ''dailydot.com'', critic Ramon Ramirez wrote that "(EMA) wrote the year’s best record about the Internet. . . . What stars here is her centralized, astute songwriting. EMA followed up 2011’s critically acclaimed ''Past Life Martyred Saints'' with a navel-gazing passion project, and the best thing she’s done."〔 Meanwhile, ''Rolling Stone'' wrote in its own best-of-the-year note that "Erika M. Anderson made the best Nineties album of 2014 (if any of us were worried about technology and surveillance taking over our lives 20 years ago). Her follow-up to 2011's awesome ''Past Life Martyred Saints'' pulses, clangs and simmers—it's unsettling one moment, soothing the next and always a smartly satisfying listen."〔
On his April 2014 review for Pitchfork, Mark Richardson gave the album a 7.4 rating, writing, "despite the lyrical clunkers and ill-advised production choices, ''The Future’s Void'' has the feel of a real statement, of an artist trying for something new even if she doesn’t always get there. And the EMA project is antithetical to the idea of perfection anyway, so combing through the messy whole to find the places of clarity and insight feels somehow appropriate."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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